Nature Photography "Padre Island Pelicans" by International Photographer Kit Hedman

Prints are currently available HERE

Visit https://www.kithedmanfineartphotography.com/ to view my photography.

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Hedman Photography and Contemporary Art
Boarding House studio Galleries
220 East 7th Ave Denver, Co 80203

Nature Photography "Padre Pelican and Friend" by International Photographer Kit Hedman

Prints are currently available HERE

Visit https://www.kithedmanfineartphotography.com/ to view my photography.

Visit http://KitHedmanModernArt.com to view more of my paintings.

Hedman Photography and Contemporary Art
Boarding House studio Galleries
220 East 7th Ave Denver, Co 80203

Original Wildlife, Bird, Landscape Painting "Cormorants, Drying Their Wings on the Madison River" by Western Landscape Painter Nancee Jean Busse

Cormorants are fascinating; almost prehistoric in their appearance. I discovered this pair while driving with my husband along the Madison River in Yellowstone National Park. Original Available. Prints Available.

  30"x30" Acrylic on Cradleboard/Available

  Fine Art Prints ate Also Available

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Hawk, Bird Painting, Wildlife Art "High and Dry" by Colorado Artist Nancee Jean Busse, Painter of the American West

 

During the winter, we empty the stock tank and put the brake on the windmill. At that point, it becomes a lofty perch for the birds. The ravens love it, the starlings love it, and the hawks love it! From the windmill they can see the entirety of the surrounding high desert property and all the little creatures who live here. Mice, packrats, quail, dove, chipmunks, and kangaroo rats make a nourishing meal for a good hunter. By spring the windmill has been much shat upon, is a bit stiff, and is ready to be set free to sing in the western Colorado breeze. But for a few months each year it holds its peace and becomes a boon to winged hunters.

FRESH OFF THE EASEL

16"x20"Acrylic on Board

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Original Colorado Landscape Painting With Eagle "Uncompahgre Gold" by Colorado Artist Nancee Jean Busse, Painter of the American West

 

                         
When my painting studio faced south toward the Gunnison River I was able to watch waterfowl fly the canyon every day. Geese, ducks, herons, eagles, and sandhill cranes flew over that waterway and I enjoyed watching them every day. The eagles were always impressive!

Acrylic on Canvas 12"x30"/sold

Fine Art Prints in multiple sizes are available HERE

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Wildlife, Bear Painting “Mama Bear” by Colorado Artist Nancee Jean Busse, Painter of the American West

 

  FRESH OFF THE EASEL

  20"x16" Acrylic on  Panel/Available

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Wildlife, Bighorn, Western Landscape Painting “Sure Footed” by Colorado Artist Nancee Jean Busse, Painter of the American West

 

I live on the high desert floor at the foot of the Colorado National Monument. The Monument is 20,500 acres of towering monoliths within a vast plateau with 6 distinctive canyons. It is host to a lot of wildlife including a growing herd of desert bighorns. While exploring the Monument a few years ago, this beauty gracefully climbed to the top of a rocky overlook and gazed down on us as if he knew he was a thing of power, grace and beauty. Such a lovely and unforgettable scene!

  16"x20" Acrylic on Aluminum Panel/Available

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Birds, Wildlife,Landscape Fine Art Painting "SANDHILL CRANE KIMONO" by Colorado Artist Nancee Jean Busse, Painter of the American West

 

I love painting birds. I love kimono art. I love the wildlife sanctuary in New Mexico, Bosque del Apache. I combined my passion for these 3 things into one piece, the Sandhill Crane Kimono. 

48"x66" Acrylic on Canvas

Click HERE for more info.

To view more of my work, visit http://NanceeJean.com


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Original Wildlife, Bird Painting,"BACK TO BOSQUE" by Nancee Jean Busse, Painter of the American West

 

 This painting was chosen to be in the  NAOPS International Fall 2015 Online Exhibition.

 24"x18" Acrylic on Board

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Original Wildlife, Bird, Landscape Painting "Cormorants, Drying Their Wings on the Madison River" by Western Landscape Painter Nancee Jean Busse

 

Cormorants are fascinating; almost prehistoric in their appearance. I discovered this pair while driving with my husband along the Madison River in Yellowstone National Park. Original Available. Prints Available.

  30"x30" Acrylic on Cradleboard/Available

  Fine Art Prints ate Also Available

  Click HERE for purchase info.

  Visit http://NanceeJean.com to view more of my work

  Visit my Art Blog at http://njbussefineart.blogspot.com/

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Bird, Contemporary Wildlife Painting, “Bird on a Wire” by Colorado Artist Nancee Jean Busse, Painter of the American West

 

11"x14" Acrylic on Panel

Available HERE

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Raven, Bird, Contemporary Wildlife Painting, Fine Art Painting “Raven on the Rez” by Colorado Artist Nancee Jean Busse, Painter of the American West

 

12"x12"Oil on Canvas/Available

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Native American Folklore Art,Colorful Contemporary Wildlife Art Painting , Native American Art,“WHEN COYOTE WAS BLUE" by Colorado Artist Nancee Jean Busse, Painter of the American West

 

This is the 6th painting in my Native American Tales series. Each one depicts an animal that plays the starring role in a piece of animal folklore. Some stories resonate with strong visual imagery and those are the ones I want to paint. All I could find of this tale was a couple of sentences and no tribe of origin. But the picture that it created in my head was unforgettable. So I adapted and retold the story below, according to my interpretation. Prints are available. I'm hanging on to the originals for now while I finish out the series.

36"x24"

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Native American Folklore Art,Whimsical Wildlife Coyote Painting "Coyote Spills The Stars" by Painter of the American West Nancee Jean Busse

 

This is part of a series of 6 paintings based on Native American legends. This painting is based on the legend: Coyote Spills the Stars. Here’s my retelling: 

 In the days of the earth’s beginning, when all creatures came up from the underworld, the Great Mother planned a sacred gathering. In preparation, she filled a jar with a countless number of stars. She selected a human being to carry the jar and place the stars neatly and carefully into the sky.

 Coyote was fascinated with the jar and couldn’t keep away. The Great Mother, knowing how full of mischief he was, admonished, “Stay away from that jar!”

 Coyote being Coyote, he waited until everyone was distracted with the festivities and crept closer and closer. He lifted the lid, just a bit, to take a little peek. When he looked inside, he was so astonished at the twirling, spinning, magical orbs of light that he accidentally knocked the jar over. 

 At first nothing happened and all of the stars stayed inside the jar. Coyote was so relieved! As he hurried to get the lid back onto the jar, it began to pulse, and then hum, and then glow! He was still hurrying, hurrying, when a few stars escaped from the jar and floated gently heavenward. Then the stars began to tumble out, faster and faster, until they were flying out of the jar by the millions, all shooting into the sky!

 All of the creatures at the gathering were astonished. The Great Mother was astonished. They watched as the stars shot crazily into the sky in a disordered, chaotic dance! 

 And this is the reason the stars shimmer and glow with no order or pattern; some here, some there. And why Coyote still lifts his face toward the sky each night and howls with laughter.



ARCHIVAL PRINTS Available NOW, Click HERE for Pricing.

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Native American Folklore Art,Contemporary Western Art ,Equine Painting "SITTING BULL'S DANCING HORSE" by Colorado Landscape Artist Nancee Jean Busse

 

In the 1880s Sitting Bull joined Buffalo Bill’s Wild West Show. He traveled all over the country and saw many things, but wearied of the white man’s ways. He went back to the Standing Rock Reservation in North Dakota to be with his Hunkpapa people. Before he left the Wild West Show, Buffalo Bill gifted him with his favorite show horse which could do many tricks.

After returning to the Reservation, Sitting Bull became the center of the Ghost Dance movement, which the white men thought was the signal for a great uprising. The Ghost Dance Movement was really a religion of despair. It gave hope to people who had been deprived of their land, their food sources, and their connection to their own ancestry.

 On a winter day in 1890 43 Indian police were sent to arrest Sitting Bull for his involvement in the Ghost Dance Movement. When they dragged him out of his teepee a commotion began, and when it was over 15 people lay dead or dying, among them Sitting Bull.

When Sitting Bull’s dancing horse heard the battle, it thought it was back in the circus at the Wild West Show. It began dancing and prancing and raising up on its back legs, bowing and curtsying and doing all of the tricks it had been taught. All who witnessed this thought that the horse was possessed because it danced through a hail of bullets and was never hit. The horse still danced for a while after the massacre ended and until the scene was silent. It had honored its master in the only way it knew.

 Native American Legend,Equine Art Painting,Sitting Bull

 36"x24" Acrylic on Yupo

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Native American Legend, Bison Art Painting "How The Bison Got His Hump" by Nancee Jean Busse, Painter of the American West

 

Western Wildlife,Contemporary Bison painting

I’m currently completing a series of 6 paintings based on Native American legends. 

 This painting is based on the legend: How the Bison Got His Hump. Here’s my retelling:

 In the beginning days, the bison didn’t have a hump. He was fast and sleek and ran across the prairie having so much fun that he cared for nothing else. He didn’t notice (or didn’t care about) any small creature that got in his way. He trampled the birds and their fragile nests, he trampled the field mice, and the squirrels, and the foxes, and the rabbits. He crushed the flowers and the tender leaves that fed the prairie creatures. All of the creatures begged him to stay away, but Bison didn’t listen to them. He was having too much fun!

The birds and other small animals cried so loud that Great Mother heard them. She ran ahead of Bison and said, “You should be ashamed of yourself!” She hit him on the back with a stick, and Bison hunched up his shoulders and lowered his big head, to ward off another blow. But Great Mother didn’t hit him again. She said, “From now on you will always have a hump on your back and you will always carry your head low because of your shame.”

So this is why Bison has a hump, and why sometimes you see a happy bird or two on the back of a bison. 

 36"x24" Acrylic on Yupo//Available

 The Original as well as Prints are Available HERE

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Native American Folklore Art Native American Art,Wildlife Bear Painting "THE LEGEND OF AURORA BOREALIS" by Nancee Jean Busse, Painter of the American West

 

This is part of a series of 6 paintings based on Native American legends.

This painting is based on the legend: How the Aurora Borealis Came to Be.

Here’s my retelling:

 After the great flood, the planet tipped on its axis, plunging the North into long periods of darkness. In the North there lived a group of people who had been spared from the flood. But when they could no longer see the sun or feel its warmth, they became sad and afraid; cold and hungry.

 The Great Mother felt compassion for the People and told them to gather their belongings and walk south, where the sun would shine and provide bounty and warmth. But because there was no light and little food, many of the people perished on the dark, cold journey south.

 In a stroke of genius the Great Mother covered the top of the world with mountains and hills made of ice crystals. The ice crystals captured the sun’s rays and reflected them into the black sky and so illuminated the nomads’ path. They could then journey south under the shifting, humming rainbow of light and became the forerunners of many of the great tribes of North America.

 But the white bear stayed in the Great North. He stayed because he loved the beauty of the inky darkness, the music of whale song and sea birds, and the deep comfort of solitude.

36"x24"Acrylic on Yupo

Available HERE

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Native American Legend Raven Art Painting "Why Raven is Black" by Painter of the American West Nancee Jean Busse

 

 This painting is the 5th painting in a series inspired by Native American legends.
 These works bring me back to my illustration roots. I love painting the visual imagery of a    colorful narrative.

 Native American legends are colorful and full of life and the natural world.
 I paint these uniformly: all are the 36x24 and all are painted on Yupo mounted to gatorboard.  I love indulging my love of detail and "close work.


 The legend that inspired this painting is retold  HERE

 36"x24"Acrylic on Yupo

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Birds, Wildlife, Landscape Fine Art Painting "up" by Colorado Artist Nancee Jean Busse, Painter of the American West

 

A fabulous burst of snow geese at Bosque del Apache. 

30"x30" Acrylic on Ampersand Cradleboard

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Birds, Wildlife,Landscape Fine Art Painting "SANDHILL CRANE KIMONO" by Colorado Artist Nancee Jean Busse, Painter of the American West

 

I love painting birds. I love kimono art. I love the wildlife sanctuary in New Mexico, Bosque del Apache. I combined my passion for these 3 things into one piece, the Sandhill Crane Kimono. 

48"x66" Acrylic on Canvas

Click HERE for more info.

To view more of my work, visit http://NanceeJean.com


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